| Kerry performing "That Great Come-and- Get-It Day" from Finian's Rainbow, Photo by Broadwayworld.com |
| Broadway by the Year, The Musicals of 1947 Concert at Town Hall in NYC, March 3, 2008 "Tucked in this sequence, too, was an exquisite performance from Kerry O'Malley of 'The Gentleman is a Dope' from Allegro." -Andy Propst, American Theater Web "Kerry O'Malley's heartfelt rendition of 'How Are Things in Glocca Morra?' was radiant...What better way to end the evening than with Kerry O'Malley, Alexander Gemignani, and the company of singers and dancers combining on 'That Great Come and Get It Day' from Finian's Rainbow! This was one rousing show!" -William Wolf, Wolf Entertainment Guide "Host Scott Siegel related the events of the show's disastrous opening night in New Haven when Lisa Kirk, in her theatrical debut, got her foot caught in the curtain track and fell into the orchestra pit. She didn't miss a beat while singing 'The Gentleman is a Dope.' O'Malley reprised the tune with a free swinging spirit, sans the fall." -Robert L. Daniels, Variety "Kerry O'Malley, the beautiful Irish redhead, sang 'How Are Things in Glocca Morra?'" -Sandi Durrell, Cabaret Scenes "Other highlights included...Kerry O'Malley's performance of the Allegro ballad 'The Gentleman is a Dope.'" -Matt Windman, TheaterNewsOnline.com "'The Gentleman is a Dope' was well performed by Kerry O'Malley." Linda Amiel Burns, TheatreScene.net "Kerry O'Malley sang a beautifully poignant 'How Are Things in Glocca Morra?'...[and] did a lovely job with 'The Gentleman is a Dope' from Allegro, nicely conveying equal measures of frustration and longing." -Jena Tesse Fox, Broadwayworld.com |
 |
| Broadway by the Year, The Musicals of 1924 Concert at Town Hall in NYC, February 23, 2009 "The Gershwin score [Lady, Be Good] also produced "The Man I Love", which was dropped before the show reached New York. Diva Kerry O'Malley invested the torch song with sultry allure." -Robert L. Dabiels, Variety "Some of the spirit of that [1924] era was reflected...by the saucy rendition of "I Don't Know" by the talented Kerry O'Malley from the show "Charlot's Revue of 1924." -William Wolf, Wolf Entertainment Guide "The evening consisted of twenty-three songs in two hours, 15 minutes, performed by a hugely talented cast of Broadway veterans and relative newcomers. There were so many highlights, it's impossible to mention them all...[T]here was the song that Gershwin cut from Lady, Be Good, Strike Up the Band, and Rosalie - "The Man I Love," movingly sung by Kerry O'Malley, last seen on Broadway this season in White Christmas." -Mervyn Rothstein, TheaterNewsOnline.com "[H]ighlights included Kerry O'Malley's torchy and gorgeous 'The Man I Love.'" -Jena Tesse Fox, Broadwayworld.com |
| Kerry performing "I Don't Know" from Charlot's Revue of 1924, Photo by Broadwayworld.com |
 |
 |
| Kerry performing "Cigarettes, Cigars" from The Ziegdeld Follies of 1931, Photo by Broadwayworld.com |
| Broadway by the Year, The Musicals of 1931 Concert at Town Hall in NYC, March 30, 2009 "Kerry O'Malley, soon to appear at the Paper Mill Playhouse in '1776', offered a show-stopping turn with 'Cigarettes, Cigars', a telling confessional from 'The Ziegfeld Follies.' With an accompanying narrative that defined the gloom and depression of an era, O'Malley left her listeners emotionally limp and profoundly in awe." -Robert L. Daniels, Variety "Virtually everyone in this superb cast had one or more moments in the spotlight...Kerry O'Malley gave a searing, heartfelt interpretation of 'Cigarettes, Cigars!' from 'The Ziegfeld Follies of 1931'... Where else but in this popular series can you find a night of such an assemblage of dazzling talent helping to keep alive the memory of musicals gone by?" -William Wolf, Wolf Entertainment Guide |
 |
| Broadway by the Year, The Musicals of 1966 Concert at Town Hall in NYC, May 10, 2010 "The Broadway show [Cabaret] also provided the opportunity for two other hits of the night -- Kerry O'Malley and Bob Stillman doing 'Married', and O'Malley rocking the place with an energetic, charged-with-feeling blast of the title song 'Cabaret', sung every bit as powerfully as renderings by the best." -Wolf Entertainment Guide "The individual solo and duet spots were uniformly well-acted and sung, particularly Kerry O'Malley's desperately emotional rendition of 'Cabaret' and confident version of 'You've Got Possibilities.'" -Matt Windman, On Off Broadway "[T]here were electric vocal moments. Kerry O'Malley followed a bouncy 'You've Got Possibilities' with a fully dramatically realized 'Cabaret' that was simply breathtaking." - Michael Dale, Broadwayworld.com "Kerry O'Malley and Sara Gettelfinger brought back Angela and Bea with 'Bosom Buddies' (Mame). Kerry had the 11:00 anthem 'Cabaret', and brought it home." -Suzanna Bowling, Times Square Chronicles |
| Kerry performing "Cabaret" from Cabaret, Photo by Broadwayworld.com |